Thursday, 02 February 2012 20:06

Juan Zelada High ceilings and collarbones

Juan Zelada has had a colourful upbringing in Madrid a brief sojourn in Hong Kong and time in Liverpool (where he received an award from Sir Paul himself) before landing in London to make his musical name. He certainly has made an impression on the music scene with his debut solo being a beautifully sun kissed kick-your-knees up and relax - Jack Johnson/Jazon Mzax style.

Published in Album Reviews
Wednesday, 12 October 2011 20:26

Juan Zelada The Blues Remain

Following on from the success of first single ‘Breakfast In Spitalfields’, which achieved Record of the Month at Radio 2, Spaniard Juan Zelada is set to release single ‘The Blues Remain’ on the 31st of October so put the date in your diary folks because it’s pretty damn good. Zelada might be Spanish but he oozes transatlantic pop sensation from every pore.

Published in Single Reviews
Wednesday, 09 June 2010 18:58

THE VOLITAINS UNDERGROUND

Imagine sitting in a club, minding your own business, when the most beautiful girl in the room comes over and sits next to you. You can’t quite believe this is happening; is it a dream? Could this be too good to be true?
That is how it feels listening to The Volitains for the first time.
Published in Archive - 2010
Sunday, 23 May 2010 06:25

ICE BLACK BIRDS AS BIRDS WE'D BE FINE

It takes a certain style and sense of finesse to properly merge the sound of two very different bands in to listenable music – that said, even the best culmination of Vampire Weekend and Kings of Leon (a band I loathe, despite recent improvement and an outfit I’ve nothing but admiration for respectively) would be an ugly lovechild - and I can’t say with any confidence that Ice Black Birds possess that much needed air of grace about their fusion just yet; they teeter dangerously only the cusp.

Published in Archive - 2010
Monday, 08 February 2010 19:26

SEASICK STEVE SONGS FOR ELIZABETH

A twang, and husky voiced love song. This is the closest you will get to a sweet nothing in your ear from blues stomper, Seasick Steve. Songs For Elisabeth is exactly how a collection of love songs from a past hobo-carnie-busker should sound like. A mixture of elements, culminating in the closest thing to a lovers mix tape that a man with a past like Seasick's could muster.

Published in Archive - 2010
Monday, 08 March 2010 13:57

PEGGY SUE

I happened to stumble upon Peggy Sue purely by mistake back in November and became a fan during the first few minutes of hearing them play. Playing a free gig in a tiny venue in Southampton, they were instantly bewitching with their hauntingly beautiful voices, gentle melodies and charming demeanours, the audience may have been small but it was certainly enraptured.

Published in Archive - 2010
Wednesday, 16 September 2009 11:11

KILL IT KID - KILL IT KID

This Bath five-piece has received rave reviews in The Clash (where ‘Burst It’s Banks’ was single of the month), The List and even BBC Newsbeat, and now they’re getting one here.  On first receiving the album through the post, I was somewhat deceived by their youth and relative fresh-faced countenance.  Within seconds of opening track ‘Heaven Never Seemed So Close’ kicking in, I was sold.
The album begins with a dirty, bluesy stomp that made me think of the ‘white boy blues’ explosion of the mid to late 60s.  ‘Heaven Never Seemed So Close’ was raucous enough to put me in mind of the two Rod Stewart/Jeff Beck albums with its raunchy blues playing and raw vocals. Vocalist Chris Turpin may look like butter wouldn’t melt, but he nearly landed the band with a dry cleaning bill when I almost dropped my coffee in surprise at the power of his voice in opening seconds of the album.  Like so much about this band and what they do, you really have to struggle to remind yourself that Kill It Kid hail from Bath and not the Bayou.
It isn’t all Turpin’s show though.  Steph Ward is a subtle, affecting vocalist whose contribution is to provide the velvet glove to Turpin’s iron fist delivery.  When she takes centre stage on tracks like ‘Private Idaho’ and ‘Fool For Loving You’, the mood changes and the album exudes a different kind of power.  Steph’s style is, to me, Laura Cantrell with a dash of Julie Driscoll thrown in.  Together, she and Chris cook up a storm, notably on the playful country honk of ‘My Lips Won’t Be Kept Clean’.
So there you have it: this album is 100% ‘carpet-burn-to-the-chin-from-your-jaw-dropping’ brilliance.  This album is a million miles away from the current musical ‘plat du jour’, yet possesses the sort of magnetism and energy that would make even the most die-hard 80s acolyte cock an ear.  This is down to virtuoso musicianship from a band that knows their influences and has mastery over their staple ingredients to create something fresh and ambitious whilst ticking every box of the genres they stand astride.  Just forget whatever else it was you were planning to buy or see this weekend, Kill It Kid are here and you cannot resist them.

This Bath five-piece has received rave reviews in The Clash (where ‘Burst It’s Banks’ was single of the month), The List and even BBC Newsbeat, and now they’re getting one here.On first receiving the album through the post, I was somewhat deceived by their youth and relative fresh-faced countenance.  Within seconds of opening track ‘Heaven Never Seemed So Close’ kicking in, I was sold. 

Published in Archive 2007 - 2009
Thursday, 17 December 2009 08:02

KILL IT KID – HEAVEN NEVER SEEMED SO CLOSE

Listening to Kill It Kid for the very first time conjures up images of some deep south Americana outfit, all toothless grins and whisky soaked heartbreak, you'd imagine this band to hail from some backwater town down by the Mississippi. So learning that Kill It Kid are a bunch of fresh faced youngsters from Bath comes as something of a shock, the heady mixture of Tom Waits, Seasick Steve, Allison Krauss and Robert Johnson influences at the very least giving this outfit a fresh sounding musical take in 2009.

Published in Archive 2007 - 2009

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